Tag Archives: PMW-F5

So, if I can hack an F5 for 4K, can I also get the F55’s color gamut?

So, we have seen that it is possible to trick an F5 into thinking its an F55 by altering an all file from the F5 and adding some F55 4K settings. This enables 4K internal recording and 4K output over … Continue reading

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Hack to get internal 4K on the Sony PMW-F5 CAUTION THERE MAY BE ISSUES!!!!

STOP PRESS: It’s been found that this modification is also changing the exposure and dynamic range! See bottom of post. Well, Paul Ream over at http://extrashot.co.uk/ has worked out how to make the F5 record 4K internally. It’s actually pretty straight forward. … Continue reading

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Major Update to my Cine-EI guide for the PMW-F55 and PMW-F5

I have just published a major update to my guide to Cine-EI on the PMW-F55 and F5. The guide now goes in to a lot more depth. I have tried to make it easy to understand but it is also … Continue reading

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How to create a user LUT for the PMW-F5 or F55 in Resolve (or other grading software).

It’s very easy to create your own 3D LUT for the Sony PMW-F5 or PMW-F55 using DaVinci Resolve or just about any grading software with LUT export capability. The LUT should be a 17x17x17 or 33x33x33 .cube LUT (this is … Continue reading

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LUT’s or LOOK’s when exposing via a LUT on the PMW-F5 or PMW-F55

First of all. You can use either, LUT’s or Looks. But there is a quite marked difference in the way they behave, especially if you use EI gain. At the native ISO there is little to choose between them. But … Continue reading

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Cine-EI Mode when recording S-Log2/3 and raw on the F5 and F55.

INTRODUCTION: This guide to Cine-EI is based on my own experience with the Sony PMW-F5 and F55. There are other methods of using LUT’s and CineEI. The method I describe below, to the best of my knowledge, follows standard industry practice … Continue reading

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The practicalities of fast run and gun shooting with a large sensor camera.

Well I’ve just returned home from NAB and a week of Tornado Chasing in the USA. For the Tornado chasing I was shooting in 4K using my Sony F5. I’ve shot run and gun with my F3 and FS700 in … Continue reading

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