Tag Archives: look

Major Update to my Cine-EI guide for the PMW-F55 and PMW-F5

I have just published a major update to my guide to Cine-EI on the PMW-F55 and F5. The guide now goes in to a lot more depth. I have tried to make it easy to understand but it is also … Continue reading

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How to create a user LUT for the PMW-F5 or F55 in Resolve (or other grading software).

It’s very easy to create your own 3D LUT for the Sony PMW-F5 or PMW-F55 using DaVinci Resolve or just about any grading software with LUT export capability. The LUT should be a 17x17x17 or 33x33x33 .cube LUT (this is … Continue reading

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LUT’s or LOOK’s when exposing via a LUT on the PMW-F5 or PMW-F55

First of all. You can use either, LUT’s or Looks. But there is a quite marked difference in the way they behave, especially if you use EI gain. At the native ISO there is little to choose between them. But … Continue reading

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Exposing via LUT’s with the PMW-F5 and PMW-F55.

There is an ongoing and much heated debate on another forum about the practicalities of using the LUT’s or Looks built in to the PMW-F5 and PMW-F55 for setting the correct exposure of your SLog or Raw footage. In response … Continue reading

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ACES: Try it, it might make your life simpler!

ACES is a workflow for modern digital cinema cameras. It’s designed to act as a common standard that will work with any camera so that colourist can use the same grades on any camera with the same results. A by-product … Continue reading

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Cine-EI Mode when recording S-Log2/3 and raw on the F5 and F55.

INTRODUCTION: This guide to Cine-EI is based on my own experience with the Sony PMW-F5 and F55. There are other methods of using LUT’s and CineEI. The method I describe below, to the best of my knowledge, follows standard industry practice … Continue reading

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Brewing up a Scene File: Gamma and Knee

Brewing up a Scene File: Gamma and Knee Before anyone complains that I have missed stuff out or that some technical detail is not quite right, one of the things I’m trying to do here is simplify the hows and … Continue reading

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